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0 Portraiture collection HEREDITY - the new collection CONCILIUM PLEBIS - Extraordinary Portraits of Ordinary People News Paintings, Prints, Books, DVDs... Join the mailing list - be the first to know about upcoming events Learn to paint with Emma Tooth Read reviews and info on Emma Tooth press cuttings and photographs CV and previous exhibitions Email us 0 0
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WHAT PEOPLE ARE SAYING
HiFructose.com ...As the master painter prepares for her upcoming museum show at the Derby Museum and Art Gallery, Tooth's ongoing series, "Concilium Plebis", takes on ordinary and everyday subjects, painting them in a masterful and extraordinary way. The artist's use of "chavs", "hoodys", "scallys" (and even random subjects off the street), makes her a perfect, albeit somewhat shocking, partner to show alongside English portraitist Joseph Wright of Derby.
ImagineFX magazine Her work is fascinating
ArrestedMotion.com Regardless of year of creation, skillful painting is timeless.
livingproofmag.com Brilliant technique and great subject matter in these portrait paintings make this exhibition a must see.
Openmagazine.co.uk A cutting edge attitude to their selection of artists has done Lazarides proud and a testament to this is their excellent group show Grifters... it is a mixture of installation, taxidermy, street art, painting and photography with a witty, fashionable and a distinctly urban feel. Highlights include Emma Tooth [who] has given the Madonna and Child a Croydon Town make-over... one not to miss!

The Metro, Art Review by Christopher Collett Harking back to the early 17th Century paintings of Caravaggio, Emma Tooth's Concilium Plebis comprises a series of portraits which present people who are often derided as 'chavs' and 'hoodies' in traditional religious poses.
A single mother and her child resemble the Virgin Mary and baby Jesus; a hooded youth looks up to the sky in saintly contemplation; and a bare-chested young man holds his arms outstretched as if nailed to the cross. Paying homage to Caravaggio's The Incredulity of Saint Thomas, meanwhile Tooth shows three youths staring at a tattoo on a young man's stomach, which proclaims: 'Before A Fall Comes Pride'.
In each of the gilded-framed portraits, Tooth masterfully mimics Caravaggio's trademark use of chiaroscuro, giving her subjects a celestial glow that further adds to the aura of divinity.
Although it might initially appear as if Tooth is mocking her subjects, using members of the public as models for biblical scenes is exactly what Caravaggio did 400 years ago. By depicting a girl dressed in a hooded top with gold hooped earrings as the Virgin Mary, Tooth not only challenges negative connotations, but also suggests that anyone can be touched by the divine.

ArrestedMotion.com BOOM, we were hooked!

Dr. Dorothy Rowe, Art Historian Dramatic and eloquent
Folio Magazine review Taking iconic religious poses and repainting the figures as townies and chavs sounds like a venture that could go hideously wrong, but Emma Tooth's wit and skill as an oil painter has resulted in her Concilium Plebis series being one of the highlights of the show.
The Biscuit Factory Gallery 21st Century ordinary people are immortalised in these great works. The imagery and medium together hold a wealth of symbolism. The work is poetic, different and stimulating as illusion, perception and reality are all challenged.
Jan Rodgers, BBC Extraordinary
ImagineFX.com team blog This stuff is the fabness!

Derbyshire Magazine (Wendy Roberts)The powerful portraitist you can't ignore. The Derbyshire artist is as striking as she is talented, as unique and surprising as her formidably impressive art. Stunning makeup and clothes with an historical air show her... seemingly endless creativity. Emma has created something extraordinary and new... something stunningly atmospheric; a classical take on 21st century life.

Claire Hamilton, BBC Radio Merseyside Beautiful… Proper Painting

Liz McGrath, Artist Emma Tooth's work is truly stunning; her rich dark color palette and eerie backgrounds lend themselves perfectly to the atmospheric portraitures which inherit her creative kingdom. There's no denying her artistry as each of her paintings leer, smile or cry for you in such a life like manner.

Aleena Naylor, BBC Radio Derby Breathtaking... Incredible... Such a fine artist
Derbyshire Magazine (Lynne Dixon) Spellbinding... Stunningly dramatic style and technical excellence
The Shields Gazette Stunning, and the likeness... is incredible.

Liam Sharp, Artist and Publisher She has a natural visual talent, classical skill and killer technique, plus she's far too young to be this accomplished!

Dom Jinks, Arts Council England Technical excellence

Al Davison, Author/Artist Emma Tooth is an amazing artist, not only does she produce finely detailed, beautifully crafted paintings, but Emma herself is a stunning, living work of art.

David Hancock, Artist Emma continues themes and iconography that were prominent in Victorian painting. She brings not only a contemporary twist, but dramatically shifts the role of the female in art from the muse to the artist.
Bernd Preiml, Artist Whenever I look at personal images of Emma I feel very happy as she seems so full of joy and easy in her own universe that is filled with dark beauty and a lot of talent. I would like to be her brush!

Sally Pepper, BBC Radio Derby You will be blown away. Phenomenal work.

Artinliverpool.com Her skill is awesome.

sffworld.com Perfect.

Derby Evening Telegraph A force to be reckoned with

John Forkin in Business Matters Magazine Brash scale and confidence ... technically brilliant.


all images and design copyright emma tooth (c) 2011